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	<title>branta</title>
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	<link>http://www.gooselane.com/blog</link>
	<description>the might of write</description>
	<pubDate>Wed, 10 Mar 2010 23:20:02 +0000</pubDate>
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		<title>Altruism</title>
		<link>http://www.gooselane.com/blog/2010/03/altruism/</link>
		<comments>http://www.gooselane.com/blog/2010/03/altruism/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 23:20:02 +0000</pubDate>
		<dc:creator>Keith Oatley</dc:creator>
		
		<category><![CDATA[Editor's Picks]]></category>

		<category><![CDATA[Essays]]></category>

		<guid isPermaLink="false">http://www.gooselane.com/blog/?p=277</guid>
		<description><![CDATA[It has been known for a long time, since the famous experiments of Alice Isen (e.g. Isen &#038; Levin, 1972), that feeling happy facilitates the helping of others. In the second experiment of the current study, Schnall et al. included a control group in which participants became happy at watching a television episode that was funny. The results were that participants who watched the elevation clip had more subjective feelings of elevation and also did substantially and significantly more actual helping than those who watched the funny clip.]]></description>
			<content:encoded><![CDATA[<h3 class="post-title entry-title"></h3>
<div class="post-header"></div>
<div class="post-body entry-content">
<div style="text-align: justify;"><a href="http://3.bp.blogspot.com/__RtjZlxOWUk/S5UVz61IcHI/AAAAAAAAAM8/HIrVf8-NTtM/s1600-h/Oprah.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img id="BLOGGER_PHOTO_ID_5446283306084102258" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 130px; height: 200px;" src="http://3.bp.blogspot.com/__RtjZlxOWUk/S5UVz61IcHI/AAAAAAAAAM8/HIrVf8-NTtM/s200/Oprah.jpg" border="0" alt="" /></a>A recent paper by Simone Schnall and her colleagues (2010) shows that watching certain kinds of scenes on television increased people&#8217;s inclination to act altruistically. In two experiments Schnall et al. found that watching a seven-minute film clip from an episode of the <span style="font-style: italic;">Oprah Winfrey Show</span> in which a musician paid tribute to his mentor and former music teacher, who had saved him from a life of gang activity and violence, increased altruism. The effect is referred to as elevation. The experimenters found it both in self-reports—people felt uplifted, optimistic about humanity, and wanting to become a better person—as well as in increased actual helping of someone else. The film clip from the <span style="font-style: italic;">Oprah Winfrey Show</span> was autobiographical rather than fictional in the ordinary sense, but occasions in which characters act altruistically are not unusual in fiction. This kind of effect may be thought, perhaps, to counteract effects that many fear of violence on television.</p>
<p>It has been known for a long time, since the famous experiments of Alice Isen (e.g. Isen &amp; Levin, 1972), that feeling happy facilitates the helping of others. In the second experiment of the current study, Schnall et al. included a control group in which participants became happy at watching a television episode that was funny. The results were that participants who watched the elevation clip had more subjective feelings of elevation and also did substantially and significantly more actual helping than those who watched the funny clip. As compared with those who watched the funny clip, those who watched the elevating clip spend approximately twice as long helping the experimenter in a tedious task.</p>
<p>Schnall and her colleagues discuss their result in terms of empathy. A way of thinking about their result is that it arises from identification (known to be important in fiction) which is now thought to be based on empathy. Perhaps empathy prompts recognition of, and aspiration to, what Hazel Markus and Paula Nurius (1986) have called a &#8220;possible self.&#8221; If, on the one hand, media-based news and fiction let us know that life is often harsh and unjust, and is sometimes tragic then, on the other hand, it can show that kindness and altruism are possible for us human beings.</p>
<p>Alice Isen &amp; P. F. Levin (1972). The effect of feeling good on helping: Cookies and kindness. <span style="font-style: italic;">Journal of Personality and Social Psychology, 21,</span> 384-388.</p>
<p>Hazel Markus  &amp; Paula Nurius (1986). Possible selves. <span style="font-style: italic;">American Psychologist, 41,</span> 954-969.</p>
<p>Simone Schnall. Jean Roper &amp; Daniel Fessler (2010). Elevation leads to altruistic behavior. <span style="font-style: italic;">Psychological Science, 21,</span> published online 29 January.</div>
</div>
<p>&#8212;-</p>
<p>This essay was originally written for the <a href="http://www.onfiction.ca/" target="_blank">OnFiction blog</a><a href="http://www.onfiction.ca/" target="_blank">.</a></p>
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		<item>
		<title>The New Math of Poetry [Audio]</title>
		<link>http://www.gooselane.com/blog/2010/03/the-new-math-of-poetry-audio/</link>
		<comments>http://www.gooselane.com/blog/2010/03/the-new-math-of-poetry-audio/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 22:58:22 +0000</pubDate>
		<dc:creator>Eric Hill</dc:creator>
		
		<category><![CDATA[Branta Recommends]]></category>

		<category><![CDATA[Brave New World]]></category>

		<category><![CDATA[From the Interweb]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.gooselane.com/blog/?p=276</guid>
		<description><![CDATA[It’s estimated that a new poetry journal is released every day, and in 2010 alone, more than 100,000 new poems will be published. But, it’s not reader demand that’s fueling this escalating trend. Instead, the vast majority of new poems and poets will never find much of an audience for their work. To talk about the new math of poetry is David Alpaugh, a poet and a writer.
<b>Elaine Grant/<i>New Hampshire Public Radio</i></b>]]></description>
			<content:encoded><![CDATA[<p><script type="text/JavaScript"><!--
&amp;lt;! 
function MM_openBrWindow(theURL,winName,features) { //v2.0
  window.open(theURL,winName,features);
}
// &amp;gt;
// --></script> <span class="reported">By <a title="View user posts." href="http://www.nhpr.org/user/5188/track">Elaine Grant</a> on Wednesday, March 10, 2010.</span></p>
<div class="audiofiles" style="margin-top: 0px; text-align: left;"><span class="audiofiles_text">listen:</span> <a class="audiofiles_text" href="http://www.nhpr.org/audio/audio/wom-2010-03-10-vp4.wax">Windows Media</a> <span class="audiofiles_text">|</span> <a class="audiofiles_text" href="http://www.nhpr.org/audio/audio/wom-2010-03-10-vp4.m3u">MP3</a><br />
<span class="audiofiles_text"><a href="http://www.nhpr.org/faq/listenonline" target="blank">Audio Help</a></span></div>
<div class="content"><img src="http://www.nhpr.org/files/images/poem.jpg" alt="" /></div>
<div class="content">Fifty years ago, there were only a couple hundred poetry journals. Then, chapbooks and poetry anthologies began to multiply. And today - with the help of online publications and do-it-yourself websites - poets everywhere are getting their words out.</div>
<div class="content">
<p>It’s estimated that a new poetry journal is released every day, and in 2010 alone, more than 100,000 new poems will be published. But, it’s not reader demand that’s fueling this escalating trend. Instead, the vast majority of new poems and poets will never find much of an audience for their work. To talk about the new math of poetry is <a href="http://www.davidalpaugh.com/" target="_blank">David Alpaugh</a>, a poet and a writer.</p>
<p><a href="http://chronicle.com/article/The-New-Math-of-Poetry/64249/" target="_blank"><em>The Chronicle of Higher Education</em>: The New Math of Poetry</a></p>
<p>(Photo by <a href="http://www.flickr.com/photos/pankaj/418768401/" target="_blank">spo0nman</a> via Flickr/CreativeCommons)</p>
</div>
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		<title>Acorn-Plantos Award</title>
		<link>http://www.gooselane.com/blog/2010/03/acorn-plantos-award/</link>
		<comments>http://www.gooselane.com/blog/2010/03/acorn-plantos-award/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 22:48:10 +0000</pubDate>
		<dc:creator>Eric Hill</dc:creator>
		
		<category><![CDATA[Contests]]></category>

		<category><![CDATA[Goose Lane Authors]]></category>

		<category><![CDATA[Happenings]]></category>

		<category><![CDATA[In Brief]]></category>

		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.gooselane.com/blog/?p=275</guid>
		<description><![CDATA[The Acorn-Plantos Award for Peoples Poetry is awarded annually to a Canadian poet, based on a book published in the previous calendar year. The work should follow in the tradition of Acorn, Livesay, Purdy, Plantos and others by being accessible to all people in its use of language and image.  The award is open to any living poet who is a Canadian citizen or landed immigrant. The work may be entered by the poet or the publisher. The award itself honours the poet.
<blank> 
The award consists of a cheque for $500.00 CDN and a medallion.
<blank> 
The deadline for entries published in 2009 is June 30, 2010, received.]]></description>
			<content:encoded><![CDATA[<div style="margin: 0px 0px 1em; color: #333333;">The Jackpine Sonnet contest is focused on reviving a Canadian form created by Milton Acorn, who is also known for his award conceived from his wake: the Acorn-Plantos Award. This award is still ongoing, and if you are a poet with a book published in the previous calender year then you can apply.</div>
<div style="margin: 0px 0px 1em; color: #333333;">The Acorn-Plantos Award for Peoples Poetry is awarded annually to a Canadian poet, based on a book published in the previous calendar year. The work should follow in the tradition of Acorn, Livesay, Purdy, Plantos and others by being accessible to all people in its use of language and image.<strong> </strong></div>
<div style="margin: 0in 0in 0pt; color: #333333;">The award is open to any living poet who is a Canadian citizen or landed immigrant. The work may be entered by the poet or the publisher. The award itself honours the poet.</div>
<div style="margin: 0in 0in 0pt; color: #333333;">The award consists of a cheque for $500.00 CDN and a medallion.</div>
<p></br></p>
<p>
<div style="margin: 0in 0in 0pt; color: #333333;">The deadline for entries published in 2009 is June 30, 2010, received.</div>
<div style="margin: 0in 0in 0pt; color: #333333;">To enter, send five copies and a cheque for $25.00 for each title to:</div>
<div style="margin: 0in 0in 0pt; color: #333333;">Acorn-Plantos Award</div>
<div style="margin: 0in 0in 0pt; color: #333333;">c/o Jeff Seffinga</div>
<div style="margin: 0in 0in 0pt; color: #333333;">36 Sunset Avenue</div>
<div style="margin: 0in 0in 0pt; color: #333333;">Hamilton ON L8R 1V6</div>
<p></br></p>
<p>
<div style="margin: 0in 0in 0pt; color: #333333;">For further information contact <a style="color: #990000; text-decoration: none;" href="mailto:jeffseff@allstream.net">jeffseff@allstream.net</a></div>
<div style="margin: 0in 0in 0pt; color: #333333;">Previous winners include Brian Bartlett, Sharon McCartney, Christine Smart, Ronnie R. Brown, Laisha Resnau, and Erin Noteboom.</div>
<p></br></p>
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		<item>
		<title>On Design: It&#8217;s just that easy!</title>
		<link>http://www.gooselane.com/blog/2010/03/on-design-its-just-that-easy/</link>
		<comments>http://www.gooselane.com/blog/2010/03/on-design-its-just-that-easy/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 20:06:27 +0000</pubDate>
		<dc:creator>Eric Hill</dc:creator>
		
		<category><![CDATA[Brave New World]]></category>

		<category><![CDATA[On Writing]]></category>

		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://www.gooselane.com/blog/?p=274</guid>
		<description><![CDATA[<object width="275" param name="movie" value="http://www.youtube.com/v/yoDCiTsS7dU&#038;color1=0xb1b1b1&#038;color2=0xcfcfcf&#038;hl=en_US&#038;feature=player_embedded&#038;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/yoDCiTsS7dU&#038;color1=0xb1b1b1&#038;color2=0xcfcfcf&#038;hl=en_US&#038;feature=player_embedded&#038;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="275" ></embed></object>]]></description>
			<content:encoded><![CDATA[<p>Larger version:<br />
<a href="http://www.boingboing.net/2010/03/09/time-lapse-of-book-c.html?utm_source=twitterfeed&amp;utm_medium=twitter" target="_blank"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><param name="src" value="http://www.youtube.com/v/yoDCiTsS7dU&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en_US&amp;feature=player_embedded&amp;fs=1" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/yoDCiTsS7dU&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en_US&amp;feature=player_embedded&amp;fs=1" allowfullscreen="true" allowscriptaccess="always"></embed></object></a></p>
<p><a href="http://www.boingboing.net/2010/03/09/time-lapse-of-book-c.html?utm_source=twitterfeed&amp;utm_medium=twitter" target="_blank">Original link found at BoingBoing</a></p>
]]></content:encoded>
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		<item>
		<title>Bird of the Week: Red-Breasted Nuthatch</title>
		<link>http://www.gooselane.com/blog/2010/03/bird-of-the-week-red-breasted-nuthatch/</link>
		<comments>http://www.gooselane.com/blog/2010/03/bird-of-the-week-red-breasted-nuthatch/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 18:01:23 +0000</pubDate>
		<dc:creator>Roger Burrows</dc:creator>
		
		<category><![CDATA[Editor's Picks]]></category>

		<category><![CDATA[Goose Lane Authors]]></category>

		<guid isPermaLink="false">http://www.gooselane.com/blog/?p=273</guid>
		<description><![CDATA[<img src="http://farm3.static.flickr.com/2756/4420522328_bb4e3d196e_m.jpg" width="240" height="180" alt="IMG_0848" />
Photo by Roger Burrows whose new book <i><a href= "http://www.gooselane.com/book/9780864926180" target= "_blank">Birding in New Brunswick</a></i> is due soon from Goose Lane.]]></description>
			<content:encoded><![CDATA[<p><a title="IMG_0848 by per_mutations, on Flickr" href="http://www.flickr.com/photos/permutations/4420522328/"><img src="http://farm3.static.flickr.com/2756/4420522328_bb4e3d196e.jpg" alt="IMG_0848" width="500" height="375" /></a></p>
<p class="MsoNormal"><span style="font-family: Times New Roman; font-size: small;"><span style="font-size: 12pt;">Suet and sunflower seeds are the preferred diet of many overwintering birds, including this perky female RED-BREASTED NUTHATCH.  Usually a very active and short-term visitor to the feeder, this individual decided to pose for a whole series of photographs beside a well-stocked suet log.  For most of the year nuthatches are found high in over-mature conifers, but in the late fall many more migrate to southern New Brunswick and visit mixed woods and shade trees in search of seeds.  It is rare to see more than one bird at a time as they are quite aggressive towards interlopers at &#8220;their&#8221; feeder.</span></span></p>
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		</item>
		<item>
		<title>Puzzled? Poetic? Olympic?</title>
		<link>http://www.gooselane.com/blog/2010/03/puzzled-poetic-olympic/</link>
		<comments>http://www.gooselane.com/blog/2010/03/puzzled-poetic-olympic/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 02:00:28 +0000</pubDate>
		<dc:creator>Eric Hill</dc:creator>
		
		<category><![CDATA[Editor's Picks]]></category>

		<category><![CDATA[From the Interweb]]></category>

		<category><![CDATA[In Brief]]></category>

		<category><![CDATA[Poetry]]></category>

		<category><![CDATA[Recommended Artistic Consumption]]></category>

		<guid isPermaLink="false">http://www.gooselane.com/blog/?p=272</guid>
		<description><![CDATA[Here are a few links for a slow Friday at work:  <i>The New Yorker</i> has a few fun flash puzzles of their covers to shuffle.  <b>The Poetry Ark</b> is a multi-part contest that involves round by round voting with prizes and an anthology at the end.  <i>McSweeneys</i> presents the 24th Existential Olympics, because life is... you know.]]></description>
			<content:encoded><![CDATA[<p><img style="vertical-align: top;" src="http://xroads.virginia.edu/~ug02/newyorker/eustacetilley.jpg" alt="" width="240" height="385" /></p>
<p>Check out The New Yorker <a href="http://www.newyorker.com/magazine/covers/jigsaw" target="_blank">Jigsaw Puzzles here</a>.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;</p>
<h3>THE POETRY ARK</h3>
<p><strong>Mission</strong><br />
The Poetry Ark, LLC is based on the simple belief that an engaged public can recognize poems worth saving and remembering. That&#8217;s why we have launched a one-year, online competition to select 100 outstanding English-language poems by living authors. After an initial screening by our editors, all other decisions will be based on the votes of you, our site visitors. Poems that make it to the final selection of 100 will be included in an anthology of winners and will automatically qualify for an additional round of voting to determine the recipients of prizes totaling over $2,000.</p>
<p><strong>Submitting and Nominating Poems</strong><br />
The Poetry Ark welcomes the online-only submission of poems by their authors or publishers holding the copyright to them. Poems may also be nominated for inclusion by other than the copyright holders; our editors will make every effort to review them and obtain permission to use them if appropriate.</p>
<p><a name="anthology"></a><br />
<strong>The Voting Process</strong><br />
Voting will occur in three stages: in a series of <a href="http://www.poetryark.org/currentrounds">Current Rounds</a>, in a Qualifying Round, and in a Prize Round. Current Rounds present collections of 20 poems each. Your votes will advance the four top-scoring poems from each Current Round to a Qualifying Round. There the selected during the Current Rounds will again be voted on, yielding the 100 poems that will be published in the Anthology and compete in the Prize Round.</p>
<p>For more information on the Poetry Ark Anthology, please <a href="http://www.poetryark.org/poetryarkprize">click here</a>.</p>
<p>For additional competition information and submission rules and regulations, please visit the <a href="http://www.poetryark.org/poetryarkprize">Poetry Ark Prizes page</a>.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;</p>
<h1 class="title"><span style="font-family: times,times new roman;">RESULTS FROM THE 24TH EXISTENTIAL OLYMPICS IN BAYONNE, NEW JERSEY.</span></h1>
<p class="byline"><span style="font-family: times,times new roman;"><span>BY <a href="mailto:jonathankaufmannathan@gmail.com">JONATHAN KAUFMAN NATHAN</a></span></span></p>
<p align="center"><span style="font-family: times,times new roman;"><span>- - - -</span></span></p>
<p><span style="font-family: times,times new roman;"> </span></p>
<p style="text-align: center;"><span style="font-family: times,times new roman;"><strong>Men&#8217;s Downhill Consider A Career Change But Decide Against It Because You Have Job Security</strong></span></p>
<p style="text-align: center;"><span style="font-family: times,times new roman;">Heavily favored Russian Yuri Sagmatov was disqualified early when he elected to quit his job as a computer systems administrator and go back to school for an MFA in literature. Analysts predict that Sagmatov will return to systems administration, likely in an entry-level position, after two or three lackluster semesters at a low-level accredited university in the Midwest. Sagmatov left the field wide open, and American defending purple medalist Jason McGarrity swooped in to capture gold in the event when he considered leaving his mid-level management position at Midland Bank to open a fly-fishing shop, only to realize that with his heart condition and pre-diabetes, he couldn&#8217;t afford to give up his health insurance yet. And if there was any serious doubt about his medal chances, he wrapped it all up with a triple scotch on the rocks and a couple of new gray hairs. McGarrity has been an off-again-on-again alcoholic for the last twenty-seven years. </span></p>
<p>More events <a href="http://www.mcsweeneys.net/2010/3/4nathan.html" target="_blank">at McSweeney&#8217;s</a></p>
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		<item>
		<title>One Alice,Two Wonderlands</title>
		<link>http://www.gooselane.com/blog/2010/03/one-alice-two-wonderlands/</link>
		<comments>http://www.gooselane.com/blog/2010/03/one-alice-two-wonderlands/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 01:30:43 +0000</pubDate>
		<dc:creator>Eric Hill</dc:creator>
		
		<category><![CDATA[Brave New World]]></category>

		<category><![CDATA[Editor's Picks]]></category>

		<category><![CDATA[Recommended Artistic Consumption]]></category>

		<category><![CDATA[Video]]></category>

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		<description><![CDATA[With Tim Burton's surely zany and eye-popping Alice in Wonderland opening this weekend you may want to refresh your Lewis Carroll battery packs.  One way to do so is subscribe to Daily Lit's free installment service that sends you, via either e-mail or RSS feed, <i>Alice's Adventure's in Wonderland</i> so you can take a short reading break every day.  Alice's adventures come in 37 installments... check inside how to get started.]]></description>
			<content:encoded><![CDATA[<p><img src="http://images.dailylit.com/static/coverart/alices-adventures-in-wonderland" border="0" alt="Alice's Adventures in Wonderland" /></p>
<h2>Alice&#8217;s Adventures in Wonderland</h2>
<p class="author">by <a href="http://www.dailylit.com/authors/lewis-carroll"> Lewis Carroll</a></p>
<p class="installment">37 Installments—Entirely free</p>
<p class="offer">(<a href="http://www.dailylit.com/books/alices-adventures-in-wonderland/1">Preview</a>)</p>
<p class="topspacer"><strong>Members&#8217; Rating:</strong> <script type="text/javascript"><!--
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<p>Tim Burton <em><strong>Alice in Wonderland</strong></em> Trailer:<br />
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		<title>Interview w/ Michael Ondaatje</title>
		<link>http://www.gooselane.com/blog/2010/03/interview-w-michael-ondaatje/</link>
		<comments>http://www.gooselane.com/blog/2010/03/interview-w-michael-ondaatje/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 23:59:52 +0000</pubDate>
		<dc:creator>Eric Hill</dc:creator>
		
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		<title>George Steiner and Auschwitz</title>
		<link>http://www.gooselane.com/blog/2010/03/george-steiner-and-auschwitz/</link>
		<comments>http://www.gooselane.com/blog/2010/03/george-steiner-and-auschwitz/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 23:55:51 +0000</pubDate>
		<dc:creator>Keith Oatley</dc:creator>
		
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		<guid isPermaLink="false">http://www.gooselane.com/blog/?p=269</guid>
		<description><![CDATA[
In a TVO &#8220;Flying Solo&#8221; clip, the University of Toronto literary theorist Nick Mount was asked to talk on what art can and cannot do (click here). He says that although art might inspire, the Holocaust contradicts the idea that literary art can make us better, and he cites George Steiner&#8217;s assertion: “We know that [...]]]></description>
			<content:encoded><![CDATA[<div class="post-body entry-content">
<div style="text-align: justify;"><a href="http://2.bp.blogspot.com/__RtjZlxOWUk/S4u1BCXAGSI/AAAAAAAAAMs/6bsb73BDDIk/s1600-h/Ordinary+men.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img id="BLOGGER_PHOTO_ID_5443643604025219362" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 138px; height: 200px;" src="http://2.bp.blogspot.com/__RtjZlxOWUk/S4u1BCXAGSI/AAAAAAAAAMs/6bsb73BDDIk/s200/Ordinary+men.jpg" border="0" alt="" /></a>In a TVO &#8220;Flying Solo&#8221; clip, the University of Toronto literary theorist Nick Mount was asked to talk on what art can and cannot do (click <a href="http://bit.ly/bTWtEv">here</a>). He says that although art might inspire, the Holocaust contradicts the idea that literary art can make us better, and he cites George Steiner&#8217;s assertion: “We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day’s work at Auschwitz in the morning.” The quote is from the preface of Steiner&#8217;s (1967) essays (p. 15). The editors of <span style="font-style: italic;">OnFiction</span> are concerned with the possibility that literature might enable self-improvement, so this assertion seems devastating.</p>
<p>In an e-mail correspondence, Willie van Peer pointed out to me that although the idea circulates that people who worked in Auschwitz were educated and read literature, Steiner&#8217;s assertion was made without evidence. Van Peer thinks it highly unlikely that camp workers at Auschwitz read Goethe and Rilke.</p>
<p>Following this correspondence, and to think more deeply on this issue, I re-read Christopher Browning&#8217;s (1992) <span style="font-style: italic;">Ordinary men,</span> on Battalion 101 of the German Order Police, who formed killing squads in Poland, and of whom more is known than of Auschwitz workers. Most of Browning’s research was based on judicial interrogations of 125 of the 486 men in the battalion. At least some of the battalion’s 11 officers achieved high school education. The rank and file were recruited mostly from the working-class in Hamburg. Their average age was 39, and almost none of them had—apart from vocational training—any education beyond age 15. In 1942, two and a half years after recruitment, it became their job to massacre Jews in Polish towns and villages. Browning compares these men with those of Philip Zimbardo’s Stanford Prison Experiment (now described in a 2007 book), in which men were recruited from an advertisement in a local newspaper and randomly assigned to be either guards or prisoners in a simulated prison. There were 70 male volunteers. Men with psychiatric disorders and histories of crime or drugs were excluded, and 24—all college students—were selected as the most stable and psychologically healthy, to be included. Zimbardo was unable to predict from personality testing which of these would behave in particular ways.</p>
<p>Among both the Order Police and the guards in the prison simulation, some 80% acted as their roles required, and a substantial proportion became brutal and enjoyed their newfound power. (In the prison simulation about a third of the guards constantly invented new forms of cruel harassment.) In the Order Police, some 10% to 20% refused to take part in shootings and, comparably, in the prison experiment two of the eleven guards behaved with consideration to the prisoners.</p>
<p>Epidemiological evidence indicates that some 5.8% of men have the psychiatric disorder of anti-social personality, victims generally of genetic vulnerability and abusive parenting, disposed towards life-long interpersonal violence (see e.g. Oatley, Keltner &amp; Jenkins, 2006). But among ordinary men, it remains unclear why some become brutal when put in positions of power. And, although George Steiner said &#8220;we know,&#8221; we are actually entirely lacking in empirical evidence on whether experience of literature affects people who enter societal roles such as the police that require coercion by force.</p>
<p>There are now well-informed historical accounts of how Germany adopted Nazism (e.g. Evans, 2004). Before 1939, the journalist Sebastian Haffner (1940) had perceived that core Nazis were not so much proponents of a political program, but more men of a certain personality type (which today we would call anti-social personality disorder). In one of the world&#8217;s first well-orchestrated campaigns to use the new media of radio and film, Nazi propaganda persuaded many to see Hitler not as a criminal but as a good person who would lead their country to greatness. Apart from propensity to violence, nationalism, and anti-Semitism, Nazism was marked by hostility to humanitarian values in education. From 1933 onwards, the Nazis replaced the idea of self-betterment through education and reading by practices designed to induce as many as possible into willing conformity, and to coerce the unwilling remainder by justified fear.</p>
<p>Christopher Browning (1992). <span style="font-style: italic;">Ordinary men: Reserve Police Battalion 101 and the final solution in Poland</span>. New York: HarperCollins.</p>
<p>Richard Evans (2004). <span style="font-style: italic;">The coming of the Third Reich.</span> New York: Penguin.</p>
<p>Sebastian Haffner (1940). <span style="font-style: italic;">Germany Jekyll and Hyde: A contemporary account of Nazi Germany. </span>London: Secker &amp; Warburg (reissued, 2008, Abacus).</p>
<p>Keith Oatley, Dacher Keltner  &amp; Jennifer Jenkins (2006). <span style="font-style: italic;">Understanding emotions, </span>second edition. Malden, MA: Blackwell.</p>
<p>George Steiner (1967). <span style="font-style: italic;">Language and silence: Essays 1958-1966.</span> London: Faber.</p>
<p>Philip Zimbardo (2007). <span style="font-style: italic;">The Lucifer effect: Understanding how good people turn evil.</span> New York: Random House.</p>
<p>&#8212;&#8211;</p>
<p>This essay was originally written for the <a href="http://www.onfiction.ca/" target="_blank">OnFiction blog</a>.</p>
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		<title>The Secret Language of Signs</title>
		<link>http://www.gooselane.com/blog/2010/03/the-secret-language-of-signs/</link>
		<comments>http://www.gooselane.com/blog/2010/03/the-secret-language-of-signs/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 23:49:39 +0000</pubDate>
		<dc:creator>Eric Hill</dc:creator>
		
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		<guid isPermaLink="false">http://www.gooselane.com/blog/?p=268</guid>
		<description><![CDATA[Most people, when they think about it, can point to signs that have failed them: the hospital complex that felt like a labyrinth or the exit they always almost miss. But the truth is that signage today is far better than it's been at any other point in history. A century ago, sign design wasn't a profession to speak of; the signs that guided riders and pedestrians (there weren't many drivers yet) tended to be informal and ad hoc. As the automobile took off, the world found it needed traffic engineers, and it was these men and women who were the first to think seriously about sign systems.
<b>Julia Turner/<i>Slate.com</i></b>]]></description>
			<content:encoded><![CDATA[<h1><span class="h1_subhead">They&#8217;re the most useful thing you pay no attention to. Start paying attention.</span></h1>
<p><span class="byline">By Julia Turner/Slate Deputy Editor<br />
</span></p>
<div id="article_body">
<p><!--Gutenberg HTML insert--></p>
<p><object id="Signs" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="600" height="175" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" align="middle"><param name="allowScriptAccess" value="always" /><param name="allowFullScreen" value="false" /><param name="wmode" value="opaque" /><param name="movie" value="http://img.slate.com/media/9/100224_TurnerFresca_nav.swf?storyNumber=1&amp;numbAlreadyLive=2" /><param name="quality" value="high" /><param name="bgcolor" value="#ffffff" /><embed type="application/x-shockwave-flash" width="600" height="175" src="http://img.slate.com/media/9/100224_TurnerFresca_nav.swf?storyNumber=1&amp;numbAlreadyLive=2" quality="high" bgcolor="#ffffff" name="Signs" allowscriptaccess="always" wmode="opaque" allowfullscreen="false" pluginspage="http://www.adobe.com/go/getflashplayer" align="middle"></embed></object> <!--End Gutenberg HTML insert-->Three years ago today, the 33 members of the Bluffton University baseball team boarded a bus at their campus in Bluffton, Ohio. It was early evening, and the college students had a long night ahead of them—an 18-hour ride, punctuated only by bathroom breaks, fuel stops, and a planned breakfast at McDonald&#8217;s. But their destination was enticing: Sarasota, Fla., which promised sunshine and the first game of their season.</p>
<p>After an uneventful overnight drive, the bus stopped in Adairsville, Ga., to pick up a fresh driver, then headed south on I-75, eventually entering the HOV lane. As<a name="B"> </a>the bus rolled closer to Atlanta, it neared the turn-off for Northside Drive,<a href="http://www.slate.com/id/2245644/#A">*</a> the first of several left-hand HOV exits that dot that stretch of highway. The driver, Jerome Niemeyer, should have kept right where the road split, continuing toward Florida in the HOV through-lane. Instead, he took the left-hand exit ramp at highway speed, apparently mistaking it for a regular lane. At the ramp&#8217;s end, he drove through a stop sign and four lanes of traffic before careening into a retaining wall and flipping onto the highway 19 feet below.</p>
<p>The accident killed seven people—five of the Bluffton players, the bus driver, and his wife, Jean, who was along to keep him company. When the National Transportation Safety Board investigated, it <a href="http://www.ntsb.gov/publictn/2008/HAR0801.pdf" target="_blank">blamed the crash</a> in part on Georgia&#8217;s failure to install adequate signs.</p>
<p>Read part one and two of the series <a href="http://www.slate.com/id/2245644/" target="_blank">starting here</a>.</p>
<p>Parts three through six will appear between now and March 11th.</p>
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